por David Bravo

vía Revista Diagonal @revistadiagonal

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Carros de la compra en una fábrica abandonada. El símbolo del consumo en el templo de la producción; una coincidencia que solo se explica en el contexto de la desindustrialización. Los carros no están aquí para colmar a algunas generaciones a costa de muchas otras y sin acabar de satisfacer a ninguna. Son carros de chatarra, de cartones y de otras materias primas recogidas en el extremo opuesto de la cadena productiva, la basura. Carros empujados por almas igualmente desechadas, desterradas del mercado laboral y la sociedad de consumo. Carros que vienen a las fábricas destripadas para devolverles lo que antes vomitaban. Y seguirán viniendo, convertidos en vehículos de la subsistencia y el rebusque, mientras la ciudad se empeñe en ignorar qué hacer con ella misma, a qué dedicarse, cómo ganarse la vida.

La imagen proviene del Poblenou, aunque bien podría corresponder a cualquier otra parte del todavía llamado “mundo industrializado”. Apenas hace unas décadas, este barrio barcelonés era tan productivo que merecía el sobrenombre de Mánchester catalán. Hoy, tras años de deslocalizaciones y terciarización, se hace llamar 22@ y se presenta como el distrito tecnológico e innovador de una “ciudad inteligente”. Así suena el impostado estribillo de la sociedad del conocimiento, según el cual hoy toca concebir cosas, más que hacerlas. Otros las fabricarán por nosotros, para nosotros, desde lejanías globales donde resulte más rentable explotar a los trabajadores y a la naturaleza.

Dejar de hacer cosas para saber hacerlas, olvidar las manos y centrarse en la cabeza. Desde la revolución neolítica hasta el momento reciente en que los urbanitas han sobrepasado la mitad de la población mundial, optar por vivir en la ciudad ha supuesto renunciar a muchas habilidades. Cortar cordones umbilicales, prender hogueras, reconocer setas, son tareas que desaprendimos en una renuncia tan radical que comprometió a la propia supervivencia. En una economía de subsistencia, ya fueran fruto de adaptaciones biológicas o de lecciones culturales, esas destrezas se desempeñaban a modo individual, como mucho a nivel tribal y en pleno acuerdo con el medio. Pero en la economía de mercado, intramuros, las competencias se separan unas de otras para articularse en un complejo sistema de reciprocidades. Los artesanos que daban gremiales nombres a las calles medievales son un feliz testimonio de ello, aunque es la era industrial la que ha llevado más lejos la renuncia inherente a la especialización del trabajo.

Renunciar a bastarse por uno mismo es una opción que tiene que compensarnos. Lo hacemos al escoger la ciudad como hábitat, como lugar con las condiciones adecuadas para (ganarse) la vida. La ciudad es un proyecto de convivencia que promete un balance de éxito entre producción y consumo. Nos urbanizamos en aras de una productividad creciente, exponencial, siempre basada en el progreso del conocimiento y la técnica. No hay caldo de cultivo más propicio para la ciencia y la tecnología, es decir, para aprender cosas y tratar con ellas. Por ello olvidamos nuestras aptitudes arcaicas, para participar de una inteligencia colectiva muy superior a la suma de sus partes. Sin oportunidades para hacerlo, sólo queda conquistarlas o echarse al monte.

Porque, en verdad, aunque colectiva, la inteligencia urbana no es siempre compartida. A menudo es una inteligencia idiota (del griego idios, ‘uno mismo’), pensada para favorecer a algunos a costa de todos. Con demasiada frecuencia, los frutos del conocimiento y la técnica son acaparados por élites extractivas cuya riqueza, debemos recordarlo, siempre proviene de la caja común, pues no se puede ser elitista estando solo. ¿Cuántos desengaños han traído las prometedoras tecnologías que venían a mejorar nuestra calidad de vida? ¿Cuántas veces se ha usado el conocimiento para excluir a los ignorantes? Por mucho que las máquinas nos propongan ociosos paraísos, siempre trabajamos, en nombre de la productividad, hasta nuestro límite biológico. La fuerza bruta de la máquina de vapor, por ejemplo, irrumpió en la agricultura y desplazó a la mano de obra campesina, que no por ello pasó a cultivarse a sí misma. En un bucle interminable, las migraciones de labriegos desocupados proporcionaron la fuerza de trabajo con la que la industria hizo de la ciudad un atractivo foco de progreso y acumulación. Estos avances, que congregaban a migrantes rurales mientras propiciaban su explosión demográfica, nutrieron la masa obrera de las ciudades industriales.

Y la masificación resultó ser un monstruo bicéfalo. Una de sus cabezas es la competencia. Saber que otro puede substituirnos nos empuja a aceptar peores condiciones laborales. De ahí partió el taylorismo, que descompuso los oficios artesanales en una serie de operaciones simples, ejecutables por manos inexpertas, baratas, reemplazables. Aunque multiplicara la riqueza, la productiva “organización científica del trabajo” no la distribuía. Sustraía, del artesano, prestigio y beneficio, que pasaban a manos del ingeniero y el capitalista. El trabajador dejaba de ser un fin para ser empleado como medio. Hasta que interviene la otra cabeza del monstruo, la colaboración. Aglomerados en un mismo centro productivo, los obreros tomaban conciencia de clase y luchaban juntos para humanizar las condiciones de trabajo. Esta es la única forma que tienen los de abajo para conquistar el derecho al conocimiento y al bienestar, es decir, para repartir los beneficios de la productividad. La democracia nunca llueve desde arriba. Por eso es tan rentable exportar la explotación laboral o importarla libre de derechos sindicales.

Volviendo a la fotografía, no es casual que carezca de personajes. Son invisibles. Se trata de subsaharianos sin papeles, entre los cuales hay ingenieros, políglotas y artistas, que dan lecciones de innovación y eficiencia a una ciudad que se pretende inteligente. Cada día se reinventan a sí mismos, y devuelven fertilidad a edificios descartados y objetos encontrados, como la bomba hidráulica que se repara para ser enviada a un poblado africano. Nuestra respuesta: desocupar, derribar, desechar. ¿Qué inteligencia hay en una sociedad que ignora sus desigualdades mientras confía en un crecimiento indefinido dentro de un mundo finito? Basta ya de inventar modelos y relatos estériles; en la ciudad verdaderamente inteligente, la innovación no es nada nuevo. Pero este ya sería otro artículo.

Posted at 4:40pm and tagged with: two column, articles, cities,.

Once people used to come to the city in search of anonymity, diversity and the freedom to meet others. Cities were also places of collective struggle and solidarity. Now, just as the workplace is affected by a new system of flexible working, so the city, too, risks losing its charm as businesses and architecture become standardised and impersonal.

by Richard Sennett


Versión en Castellano no encontrada (si alguien la tiene…)
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Cities can be badly-run, crime-infested, dirty, decaying. Yet many people think it worth living in even the worst of them. Why? Because cities have the potential to make us more complex human beings. A city is a place where people can learn to live with strangers, to enter into the experiences and interests of unfamiliar lives. Sameness stultifies the mind; diversity stimulates and expands it.

The city can allow people to develop a richer, more complex sense of themselves. They are not just bankers or roadsweepers, Afro-Caribbeans or Anglo-Saxons, speakers of English or of Spanish, bourgeois or proletarian: they can be some or all of these things, and more. They are not subject to a fixed scheme of identity. People can develop multiple images of their identities, knowing that who they are shifts, depending upon whom they are with. That is the power of strangeness: freedom from arbitrary definition and identification.

Writer Willa Cather was haunted in small-town America by the fear that her lesbianism would be discovered. When she finally arrived in New York’s Greenwich Village in 1906, she wrote to a friend: “At last, in this indecipherable place, I can breathe”. In public, city dwellers may don an impassive mask, act cool and indifferent to others on the street; but in private, they can be aroused by these strange contacts, their certainties shaken by the presence of others.

These virtues are not inevitable. One of the big issues in urban life is how to make the complexities that a city contains interact - so that people become truly cosmopolitan - and how to turn crowded streets into places of self-knowledge, not fear. The French philosopher Emmanuel Levinas has referred to “the neighbourliness of strangers”, a phrase that captures the aspiration we should have in designing our cities.

Architects and planners are faced with new challenges. Globalisation has transformed production which now allows people to work more flexibly, less rigidly and makes them experience the city differently.

In the 19th century the German sociologist Max Weber compared modern business organisations to military organisations. Both worked on the principle of a pyramid, with the general or boss at the apex and the soldiers or workers at the base. The division of labour minimised duplication and gave each group of workers at the base a distinct function. In this way the corporation executive at the apex could determine how the assembly line or back office functioned, just as the general could strategically command platoons far from his command post. And as the division of labour progressed, the need for different kinds of workers expanded far more rapidly than the need for more bosses.

In industrial production, Weber’s pyramid became embodied in Fordism, a kind of military micro-management of a worker’s time and effort which a few experts could dictate from the top. It was graphically illustrated by General Motors’ Willow Run automobile plant in the United States, a mile-long, quarter-mile wide edifice in which raw iron and glass entered at one end and a finished car emerged at the other. Only a strict, controlling work regime could coordinate production on this giant scale. In the white collar world, the strict control by corporations like IBM in the 1960s mirrored this industrial process.

A generation ago businesses began to revolt against the Weberian pyramid. They sought to “ de-layer ”organisations, to remove levels of bureaucracy (using new information technologies in place of bureaucrats) and destroy the practice of fixed-function work, substituting instead teams which work short-term on specific tasks. In this new business strategy, teams compete against one another, trying to respond as effectively and quickly as possible to goals set by the top. Instead of each person doing his or her own particular bit in a defined chain of command, function is duplicated: many different teams compete to do the same task fastest and best. The corporation can thus respond more quickly to changing market demands.

The apologists for the new world of work claim it is also more democratic than the old military-style organisation. But that is not so. The Weberian pyramid has been replaced by a circle with a dot in the centre. At the centre, a small number of managers make decisions, set tasks, judge results; the information revolution has given them more instantaneous control over the corporation’s workings than in the old system, where orders often modulated and evolved as they passed down the chain of command. The teams working on the periphery of the circle are left free to respond to output targets set by the centre, free to devise means of executing tasks in competition with one another. But no freer than they ever were to decide what those tasks are.

In the Weberian pyramid of bureaucracy, rewards came for doing your job as best you could. In the dotted circle, rewards come to teams winning over other teams. The economist Robert Frank calls it the winner-take-all organisation; sheer effort no longer produces reward. This bureaucratic reformulation, Frank argues, contributes to the great inequalities of pay and perks in flexible organisations.

No long term

The mantra of the flexible work-place is “no long term”. Career paths have been replaced by jobs which consist of specific and limited tasks; when the task ends, the job is often over. In the high-tech sector in Silicon Valley, California, the average length of employment is now about eight months. People constantly change their working associates: modern management theory has it that the “shelf life” of a team ought to be at most a year.

This pattern does not dominate the work-place at present. Rather, it represents a leading edge of change, what businesses ought to become: no-one is going to start a new organisation based on the principle of permanent jobs. The flexible organisation does not promote loyalty or fraternity any more than it promotes democracy. It is hard to feel committed to a corporation which has no defined character, hard to act loyally to an unstable institution which shows no loyalties to you. Business leaders are now finding that lack of commitment translates into poor productivity and to an unwillingness to keep corporate secrets.

The lack of fraternity that comes from “no long term” is rather more subtle. Task-work puts people under enormous stress; and recriminations among losing teams mark the final stages of working together. Again, trust of an informal sort takes time to develop; you have to get to know people. And the experience of being only temporarily in an organisation prompts people to keep loose, not to get involved, since you are going to exit soon.

Besides, this lack of mutual engagement is one of the reasons it is so hard for trade unions to organise workers in flexible industries or businesses as in Silicon Valley; the sense of fraternity as a shared fate, a durable set of common interests, has been weakened. Socially, the short-term regime produces a paradox. People work intensely, under great pressure, but their relations to others remain curiously superficial. This is not a world in which getting deeply involved with other people makes much sense in the long run.

Flexible capitalism has precisely the same effects on the city as it does on the workplace itself: superficial, short-term relations at work, superficial and disengaged relations in the city. It appears in three forms. The most self-evident is physical attachment to the city. Rates of geographic mobility are very high for flexible workers. Temps are the single fastest-growing sector of the labour market. Temporary nurses, for example, are eight times more likely to move house in a two-year period than are single-employer nurses. In the higher reaches of the economy, executives frequently moved as much in the past as they do in the present. But the movements were different in kind; they remained within the groove of a company, and the company defined their “place”, the turf of their lives, no matter where they were on the map. It is just that thread which the new work-place breaks. Some specialists in urban studies have argued that, for this elite, style of life in the city matters more than their jobs, with certain zones - gentrified, filled with sleek restaurants and specialised services - replacing the corporation as an anchor.

Skin architecture

The second expression of the new capitalism is the standardisation of the environment. A few years ago, on a tour of New York’s Chanin Building, an art-deco palace with elaborate offices and splendid public spaces, the head of a large, new-economy corporation remarked: “It would never suit us. People might become too attached to their offices. They might think they belong here.”

The flexible office is not meant to be a place where you nestle in. The office architecture of flexible firms requires a physical environment which can be quickly reconfigured - at the extreme, the “office” can become just a computer terminal. The neutrality of new buildings also results from their global currency as investment units; for someone in Manila easily to buy or sell 100,000 square feet of office space in London, the space itself needs the uniformity and transparency of money. This is why the style elements of new-economy buildings become what US architectural critic Ada Louise Huxtable calls “skin architecture”: the surface of the building dolled-up with design, its innards ever more neutral, standard, and capable of instant refiguration.

Alongside skin architecture, we have the standardisation of public consumption - a global network of shops selling the same commodities in the same kinds of spaces whether they are located in Manila, Mexico City or London. It is hard to become attached to a particular Gap or Banana Republic; standardisation breeds indifference. Put it another way. The problem of institutional loyalties in the work-place - now beginning to sober up managers once blindly enthusiastic about endless corporate re-engineering - finds its parallel in the urban public realm of consumption. Attachment and engagement with specific places is dispelled under the aegis of this new regime. Cities cease to offer the strange, the unexpected or the arousing. Equally, the accumulation of shared history, and so of collective memory, diminishes in these neutral public spaces. Standardised consumption attacks local meanings in the same way the new work-place attacks ingrown, shared histories among workers.

The third expression of the new capitalism is less visible to the eye. High-pressure, flexible work profoundly disorients family life. The familiar press images - neglected children, adult stress, geographic uprooting - do not quite get to the heart of this disorientation. It is rather that the codes of conduct which rule the modern work world would shatter families if taken home from the office: don’t commit, don’t get involved, think short-term. The assertion of “family values” by the public and politicians has a more than right-wing resonance; it is a reaction, often inchoate but strongly felt, of the threats to family solidarity in the new economy. The prominent American social critic Christopher Lasch drew the image of the family as a “haven in a heartless world”. That image takes on a particular urgency when work becomes at once more unpredictable and more demanding of adult time. One result of this conflict, by now well-documented in regard to middle-aged employees, is that adults withdraw from civic participation in the struggle to solidify and organise family life; the civic becomes yet another demand on time and energies in short supply at home.

The ’passive beloved’

That leads to one of the effects of globalisation on cities. The new global elite, operating in cities like New York, London and Chicago, avoids the urban political realm. It wants to operate in the city but not rule it; it composes a regime of power without responsibility.

In Chicago in 1925, for example, political and economic power went hand in hand. Presidents of the city’s top 80 corporations sat on 142 hospital boards, accounted for 70% of the trustees of colleges and universities. Tax revenues from 18 national corporations in Chicago formed 23% of the city’s municipal budget. By contrast, in New York now, few chief executives of global firms are trustees of its educational institutions and none sit on the boards of its hospitals. And it has been well documented how footloose multinational companies like Rupert Murdoch’s News Corp manage largely to avoid paying taxes, local or national.

The reason for this change is that the global economy is not rooted in the city in the sense of depending on control of the city as a whole. It is instead an island economy, literally so within the island of Manhattan in New York, architecturally so in places like Canary Wharf in London, which resemble the imperial compounds of an earlier era. As sociologists John Mollenkopf and Manuel Castells have shown, this global wealth does not trickle down or spread out very far beyond the global enclave.

Indeed, the politics of the global enclave cultivates a kind of indifference to the city which Marcel Proust, in an entirely different context, called the “passive beloved” phenomenon. Threatening to leave, go anywhere in the world, the global firm is given enormous tax breaks to stay - a profitable seduction made possible by the firm appearing indifferent to the places where it touches down. In other words globalisation poses a problem of citizenship in cities as well as nations. Cities can’t tap into the wealth of these corporations, and the corporations take little responsibility for their own presence in the city. The threat of absence, of leaving, makes possible this avoidance of responsibility; and we lack the political mechanisms to make unstable, flexible institutions contribute fairly for the privileges they enjoy in the city.

All this has an impact on urban civil society which rests on a compromise based on mutual dissociation. That means the truce of leaving one another alone, the peace of mutual indifference. This is one reason why, on the positive side, the modern city is like an accordion easily able to expand to accommodate new waves of migrants - the pockets of difference are sealed. On the negative side, mutual accommodation through dissociation spells the end of citizenship practices - which mean understanding divergent interests - as well as a loss of simple human curiosity about other people.

At the same time, the flexibility of the modern workplace creates a sense of incompleteness. Flexible time is serial - you do one project, then another unrelated one - rather than cumulative. But there is no sense that, because something is missing in your own life, you should turn outward to others, toward that “neighbourliness of strangers”.

That suggests something about the art of making better cities today. We need to overlay different activities in the same space, as family activity once overlay working space. The incompleteness of capitalist time returns us to the issue which marked the very emergence of the industrial city. A city which broke apart the domus - that spatial relation which had, before the coming of industrial capitalism, combined family, work, ceremonial public spaces and more informal social spaces. Today, we need to repair the collectivity of space to combat the serial time of modern labour.

Posted at 9:20am and tagged with: two column, articles, cities,.

Volvemos a un contexto de pérdida de lo común, de aislamiento y de desamparo


Por Josep Ramoneda

via El País

En 1944, Karl Polanyi explicó, en La gran transformación, los efectos disolventes sobre la sociedad de la utopía liberal. La reducción del hombre a su dimensión económica destruía cualquier idea de lo común y condenaba a los ciudadanos al desamparo y al aislamiento. El precio del progreso económico era la destrucción del tejido social. La pretensión de pasar de una economía de mercado a una sociedad de mercado invertía la lógica más elemental de la vida colectiva: en vez de responder a las ideas y necesidades de la sociedad, la economía se erigía en una autoridad a la que las sociedades tenían que someterse. Siempre legitimándose en nombre de la naturaleza de las cosas. La ideología como la religión siempre pretende ser portadora de la ley natural. La gran transformación a la que alude Polanyi es la respuesta que se produjo ante los descalabros generados por esta utopía de la mercantilización general de la vida. A la cabeza de todas ellas, el fascismo. Líderes carismáticos arrasaban ante el desamparo de las masas.

La crisis de la Europa actual es la apoteosis final de un periodo en el que, de nuevo, se puso a la sociedad a los pies de la especulación, de la competencia y de la ley del dinero. Las deficiencias del Estado socialdemócrata dieron oportunidad, a partir de los ochenta, a un renacimiento de la cultura del homo economicus. Personajes con temperamento y sin complejos, como Margaret Thatcher, dieron vía libre al retorno de la ideología y de la política que ponían la sociedad al servicio de la economía y no la economía al servicio de la sociedad. Una cierta quimera del oro en momentos de burbujas tecnológicas y cambios globales alargó el delirio: hasta que en 2008 explotó el primer mundo. La política fue obligada a salir al rescate del poder bancario, con la consiguiente transferencia de deuda privada a deuda pública. La sociedad, sometida a los efectos disolventes de la hegemonía de la cultura de mercado, había perdido el pulso político: triunfaba la indiferencia. Solo ahora empieza a reaccionar, cuando ya nadie niega que estamos ante una crisis social de enorme envergadura, en la que prácticamente todos los sectores sufren fenómenos de desclasamiento brutal. Y la marginación y la pobreza crecen al ritmo de Reino Unido en los años de Margaret Thatcher.

Volvemos a un contexto de desocialización, de pérdida de lo común y, por tanto, de aislamiento y desamparo como en los años treinta. Nos tranquilizamos pensando que ni la guerra mundial ni los totalitarismos pueden ser esta vez la respuesta, porque el mundo es otro. Probablemente no haga falta tanto para desnaturalizar definitivamente la democracia. Se dice que los ciudadanos desconfían de los políticos por la corrupción y los abusos de poder. Pero la razón de fondo es la impotencia absoluta que los gobernantes demuestran respecto de la hegemonía económica. Los ciudadanos tienen la sensación de que los Gobiernos no representan sus intereses porque solo están para obedecer. Y que el voto no sirve para cambiar de política. El mes de mayo de 2010 es un símbolo del principio del fin de la democracia. Zapatero es obligado, desde fuera, a dar un giro a su desnortada política. No le dicen: “U obedeces, o mueres”. Le dicen: “Obedeces y mueres”. Rito sacrificial de la austeridad. Obedeció y a partir de aquel día se hundió irremisiblemente en las encuestas. El político como chivo expiatorio.

¿Cuál es el resultado de esta disolución de la política en la economía? Que la sociedad queda a merced de cualquiera que se presente como redentor, y, como es sabido, detrás de un redentor siempre hay un impostor. Desde el fascismo, Italia ha venido marcando el camino a Europa, dice Vattimo. Algunos vaticinan que el futuro está en el modelo de desgobierno italiano. La sensación de desconcierto generalizado viene sencillamente de la constatación de que no hay nadie al mando. De que nadie asume desde las instituciones públicas la representación de la ciudadanía. Se vive de unas estrategias económicas que conducen al absurdo, como hemos visto esta semana: “La economía europea se hunde, pero sigan por esta vía”. Este es el mensaje que el FMI ha lanzado sobre todos nosotros. “Las políticas que hemos diseñado les arruinan, pero continúen con ellas”. Obedecer y morir. Todo sistema, cuando alcanza su punto catastrófico, se pone en evidencia. La calle empieza ahora a redescubrir la política como vía para reconstruir los vínculos sociales rotos. Y busca quien le represente. Los políticos se parapetan en el ruido: después de la polémica de los escraches, resucita el debate del aborto. Obsceno e inútil barullo para confundir al personal.

Posted at 9:20am and tagged with: articles, politics, two column,.

by  Jan Loerakker

via Failed Architecture

“I am a total addict of ArchDaily by now, and look several times a day when I can, and forward the link to everyone I know.” (What Architects say about ArchDaily)”

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Just like some people need a cigarette in the morning or that first cup of coffee, I also have my little daily sin. Almost without exception I visit an architectural blog of which I know its contents are rather superficial. Every morning, I scroll through the most visited architectural website in the world: ArchDaily.

It’s fascinating that a website that mainly seems to publish project descriptions without any editing, straight from the architect’s press release, could become so big. Fascinating, but dangerous as well. For example, whena questionable proposal for a multi-million tabula rasa project in India (see above) is presented as heaven on earth. I’m sure ArchDaily publishes these flashy renderings with good intentions, but all too often the website seems to be literally presenting the architectural office’s promo-talk about social engagement, sustainability and whatever else is on their standard sweet-talk list. Any critical attitude seems absent. Maybe this shouldn’t come as a surprise, since one of the selling points of ArchDaily is its publishing frequency. Every time we check out the website, there has to be something new.

1355901242-render-528x370Hanking Nanyou New Town – Jaeger&Partner (ArchDaily 2012)

As long as ArchDaily’s readers aren’t thinking that the website solely presents ‘good’ architecture or believe that the accompanying texts reflect an argued critical opinion of its editors, the website has its value too. Rather than best practices, we should perceive the renderings and project descriptions as a representation of the current status of contemporary mainstream architecture. That is why I throw a glance at ArchDaily every morning: to gaze at the mediocre, glossy, sweet-talked reality of everyday architectural life.

To illustrate my point, I have collected some of my ‘future failure’-gems over the past few months (click here). Besides the unintentional over-representation of Asian cases, there is a striking similarity in the appearance of the renders and their accompanying texts.

“The contemporary design of the main centres aims to characterize the city’s modernization, whilst capturing local cultural references. The building facades pay homage to local stone paintings and weaving patterns of sand-barriers found in regional deserts. Building materials further associate with local surroundings through different textures and colour palettes.”Zonghwei Cultural Complex(ArchDaily 2013)

Of course ArchDaily is not solely to blame, since they merely publish the architects’ descriptions. The website’s content should be seen as part of a larger trend. Whilst doing research for the exhibition The Banality of Good at last year’s Venice Biennale (by the International New Town Institute andCrimson Architectural Historians), we were similarly amazed by how big international firms like KPF or HOK and large governmental institutions produced the same kind of a-critical design, glossy imagery and sweet texts to sell cities built from scratch that should house millions of people in the near future (‘City in a Box’, Volume#34). 

Not only do project descriptions like these erode the meaning of words like ‘sustainable’ and ‘public space’, it also raises a profound doubt about the quality and diversity of the proposed schemes. Somehow you can’t help the feeling that too many of those projects were planned in a rush: by one project leader, six interns and a render firm.

Today, the pace at which buildings are designed in large parts of the world shows us that old design methods are not sufficient anymore. This is painfully (and unintentionally) illustrated by the beautiful film The Human Scale on the work of Jan Gehl. In the film designers working for Gehl in Dhaka talk about analysing small-scale interactions around one pedestrian route over a prolonged period of time, which would enable them to improve the route by very precise interventions. The same documentary however also mentions Dhaka’s extreme growth in population numbers, averaging at 500.000 new residents per year.

I am a big fan of the work and methods of Gehl, but to accommodate this kind of growth we will have to search for new and faster ways of designing, while trying to maintain a maximum amount of quality, diversity and local influence. The similarity in the flashy renderings reproduced on websites like ArchDaily demonstrate that there is still a long way to go. It’s my conviction that the lion share of these plans won’t be able to fulfil their bombastic promises when one would compare the project descriptions to reality after completion.

In the meantime, while trying to figure out how to do things better in the future, I can only advice you to give ArchDaily your morning minute. Just to see what’s out there. As long as you remember to spend the next half hour reading a good newspaper and more critical blogs, learning about what is really important in the world.

Jan Loerakker is an architect. He worked as researcher for a.o. Design as Politics and Crimson Architectural Historians and is currently working for Gottlieb Paludan Architects in Copenhagen. 

Posted at 9:20am and tagged with: two column, articles, cities,.

As our politicians keep on failing, affection grows for those who are unelected. Democracy itself is looking fragile

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By 

From The Guardian

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Who do you love more, those you choose or those whom fate or genes have chosen for you? Usually that’s a personal question: who sits closest to your heart, the friends or partner you choose, or the family your DNA picked out for you? Put like that, it’s an impossible choice. But framed another way – a more public, more political way – it seems we have an answer. And it’s not the one you’d expect.

For a clue, book a ticket to The Audience, the play that sees Helen Mirren and writer Peter Morgan return to the character who brought them such success with the Oscar-winning film The Queen. Mirren’s back as Her Maj, this time playing opposite not Tony Blair but eight others drawn from what she calls “the Dirty Dozen” who have served as prime minister during her 61-year reign. The play shows snatches of those weekly tete-a-tete encounters, Morgan depicting them as part constitutionally mandated briefing, part confessional, part therapy session. John Major chokes as he remembers the disappointment of his parents at his academic failure; both Gordon Brown and Anthony Eden admit to taking pills to deal with depression and stress. Harold Wilson reveals his early Alzheimer’s to the Queen before his own wife.

The play is elegantly told and beautifully acted, Mirren somehow equally convincing as both eager twentysomething and octogenarian prone to nodding off (during a meeting with David Cameron, as it happens). But make no mistake. This is a two-hour exercise in propaganda for Elizabeth Windsor. She is shown as shrewd and uncommonly sage, and not only with the wisdom of experience. Aged 30, she is able to see through Eden’s Suez scheme just as, it’s implied, she identified the folly of Blair’s Iraq adventure nearly half a century later. “The similarities, the parallels, were striking …” she muses.

She is on the right side of every issue, tactical and moral. The play suggests she advised Brown to go for the early election that never was in 2007 and lobbied Margaret Thatcher to impose sanctions on apartheid South Africa. “You understand ordinary people. Working people,” the on-stage Harold Wilson tells her, praising the frugality of her Balmoral study with its three-bar electric heater. A stage play depicting the head of state as constant, modest and preternaturally wise, dedicated selflessly to serving the people – why, you could translate it into Korean, stage it in Pyongyang and no one would turn a hair.

Three centuries ago, Morgan and his players would have staged their work of lavish tribute in the palace itself, rather than the Gielgud. Though of course there is a modern dimension. These days, in which our favoured celebrities are those who have triumphed over adversity, it’s not enough that we admire the monarch, we must feel sympathy too. InThe King’s Speech, that was elicited by showing George VI’s overcoming both a stammer and a chilly, violent childhood. Here – and it’s this which supplies The Audience’s emotional heart – the Queen catches glimpses of her younger self, a free spirit who longs to break out of the gilded cage destiny has in store for her. “It’s like being trapped in a museum,” the young princess complains. Later her adult self jokes that she’s been persuaded to have a mobile phone because security reckon it’s “a useful tracking device in case I try to escape”.Partly thanks to Mirren’s ability to convey a sense of inner longings repressed, we believe this Queen when she sighs at “the unlived lives within us all”.

Later young Elizabeth reports on a morning tutorial whose subject was British prime ministers. She reads from a notebook: “‘Often lonely and unhappy at school, having suffered a trauma in childhood – leaving them haunted by a compulsive and obsessive need for love and power.’” She pauses. “Basically, they’re all mad.”

The older Elizabeth’s response is crucial, ending the play. “Those ‘mad people’ will prove to be your greatest allies,” she says. “If you want to know how it is that the monarchy in this country has survived as long as it has – don’t look to its monarchs. Look to its prime ministers.”

Now, Morgan might simply be referring to politicians’ habit of riding to the rescue whenever the royals get in trouble, as Blair did in that Diana week of 1997. But after two hours of watching a parade of PMs, each needy and dysfunctional in their own way, the moment carries another implication: that the best possible advertisement for the monarchy is one look at the alternative: the grubby, inadequate world of the elected politician.

The warmth of the applause for that notion, and for an entire evening of homage to the idea of a perfect Queen keeping a restraining hand on her all-too-imperfect prime ministers, suggests Morgan is not speaking for himself alone. Given a choice, it’s clear who both he and his audience prefer: the affection in the room is not for the flawed people we have chosen to send to No 10, but for the woman who reigns in Buckingham Palace by virtue of the blood in her veins (and who need never take an unpopular decision).

Part of this is a very specific attachment to the Queen herself. Her sheer length of service, the continuity over six decades and the direct link it represents with the episode that now forms the creation myth of modern Britain – our wartime defiance of the Nazis – means she exerts a powerful, almost mystical hold on this country’s imagination. When she passes, Britain will feel it has ruptured the last bond with its earlier self.

Yet this preference for the non-democratic is not confined to us. Look at the warmth for Pope Francis, building already into something like love with every new revelation of his modesty: the latest tells of his personally calling his newsagent in Buenos Aires to let him know he was moving to the Vatican and so would have to cancel his paper order. How many of the world’s Catholics would prefer leaders they voted for over this man they didn’t?

When applied to benign, elderly figures such as the Queen or Francis, this hardly seems threatening. But people are getting frustrated with those they elect, whether here, in Cyprus or beyond. The Telegraph’sPeter Oborne ended a post-budget column with these words: “So we are entering a momentous period in our national life: if the politicians cannot address the problem – and they can’t – who will?” That impulse, like my night in the theatre, troubles me. We like to boast how committed we are to democracy. But there are days when that commitment looks terribly fragile.

Posted at 9:20am and tagged with: two column, articles,.

Un presidente del Parlamento alemán, aficionado a hacer coincidir sus visitas oficiales con países en los que había algo que cazar, tuvo una experiencia desconcertante en la antigua colonia alemana de Togo. Mientras era conducido del aeropuerto a la ciudad, la multitud exclamaba algo cuyo significado le intrigaba. Su anfitrión le explicó entonces que el grito “uhuru” significaba independencia, lo que el huésped no conseguía entender, pues Togo ya era un país independiente. “Sí, pero eso fue hace mucho tiempo y la gente se ha acostumbrado a ello”, le aclaró el presidente del país.

El mundo ha dado demasiadas vueltas en los últimos años, pero muchos siguen entonando su grito particular como si aquí no hubiera pasado nada. Conceptos como soberanía, marco constitucional, integridad territorial o autodeterminación necesitan ser repensados si es que no queremos ofrecer el mismo espectáculo que asombraba al visitante alemán. Las sociedades se han pluralizado en su interior y las aspiraciones de autogobierno de las naciones son algo persistente; al mismo tiempo, el entorno de interdependencias hace inservible el concepto de soberanía o ámbito exclusivo de decisión. Estamos viviendo un momento de profundas mutaciones en la historia de la humanidad, en el que que ciertas formas de organización de la vida en común se nos están volviendo inutilizables a mayor velocidad que nuestra capacidad de inventar otras nuevas. En esos momentos históricos entre el “ya no” y el “todavía no” los seres humanos ofrecemos espectáculos diversos que podrían hacer reír a los togoleses, pues hay quien reivindica lo que ya tiene, quien defiende lo que no está vigente o quien promete lo que no puede.

El debate en torno a esta cuestión está lleno de reproches e incoherencias; es preferido el eslogan al concepto porque de este modo se asegura una ventaja que confiere a la propia posición la superioridad de una evidencia incontestable. ¿Quién puede contestar el derecho democrático a decidir nuestro futuro? ¿Cómo no calificar de desafío soberanista cualquier iniciativa que se plantee al margen del actual ordenamiento constitucional (aunque esa Constitución no prevea ningún cauce para la modificación del sujeto político que la sostiene)?

Los Las posiciones así aseguradas se traducen en procedimientos que impiden cualquier solución porque predeterminan el resultado del combate. No hay manera de encauzar políticamente la discusión si “somos un pueblo” (a pesar de que no todos lo sientan así o no pocos desearían legítimamente vincular su destino al de otros) o si esa cuestión está zanjada por un determinado marco constitucional (que distribuye mayorías y minorías de modo que es imposible la secesión e incluso la modificación de ese marco) y el único sujeto político con derecho a decidir es el conjunto del pueblo español. Unos establecen el sujeto político con independencia de su verificación empírica y otros fijan las reglas del juego de tal modo que predeterminan el resultado de cualquier negociación. Hay quien utiliza un veto donde le conviene e impugna el de otros allí donde no le es favorable, de manera que resulta imposible salir del atolladero al que conducen las mayorías impositivas y los vetos que bloquean.

¿Cabe pensar, pese al uso interesado y ventajista de ciertos conceptos, en una coherencia democrática desde la que puedan resolverse los conflictos políticos en torno a la identidad y el autogobierno?

Comencemos por una constatación sin la cual las sociedades complejas no pueden construir su convivencia democrática. En sociedades compuestasdonde existen núcleos resistentes a la uniformización y con profundas aspiraciones de autogobierno, todo lo que pueda surgir en términos de unidad lo hará a partir de la diferencia y producido por ella. Por eso mismo, la articulación política de la diferencia nos obliga a avanzar en las lógicas de reconocimiento y reciprocidad. Los sistemas políticos complejos y maduros no se gobiernan bien mediante la imposición, la unilateralidad y la subordinación, sino a través del pacto y la bilateralidad. El pacto y la no-imposición es el procedimiento por el que se constituyen las reglas de juego de las sociedades avanzadas. La multilateralidad que las posiciones más progresistas exigen para la nueva configuración del mundo es exigible también como principio organizador de nuestras sociedades.

La convivencia puede ser organizada desde un principio de pluralismo constitucional: los sujetos políticos amplían su espacio de juego en la medida en que consiguen aumentar su riqueza cooperativa. El concepto de soberanía entendida como el ejercicio ilimitado, incompartible y exclusivo del poder público debe ser sustituido por el reconocimiento del hecho de que la soberanía está repartida entre diversas instituciones —local, regional, nacional, estatal e internacional— y limitada por esa pluralidad. Desde esta perspectiva, derecho a configurar autónomamente el propio destino no significa otra cosa que el derecho a participar, en igualdad de condiciones, en el juego de las soberanías compartidas y recíprocamente limitadas. Decidir es siempre codecidir y esto supone exigencias recíprocas diferentes para cada uno: las sociedades subestatales se ven obligadas a respetar su pluralismo interno y a tener en cuenta que hay vínculos comunes que solo se pueden modificar de manera pactada; los Estados que albergan a estas comunidades no pueden resolver estos asuntos más que con instrumentos que impliquen una renuncia a su posición dominante y pongan en marcha procesos de negociación o arbitraje con resultado abierto.

Todo lo que no pase por aquí será un fracaso histórico aliviado por gritos reconfortantes para mantener a la propia tribu unida o para asegurar la imposición en nombre de valores supuestamente indiscutibles.

Daniel Innerarity es catedrático de Filosofía Política y Social, investigador Ikerbasque en la Universidad del País Vasco y profesor visitante en el Robert Schuman Centre for Advanced Studies del Instituto Europeo de Florencia.

Posted at 4:40pm and tagged with: two column, articles,.

Uno no lucha por la justicia solo porque crea que tiene opciones de triunfar

por Juan Diego Botto

via El País

Se cumplen diez años de la invasión de Irak. Diez años de aquel acto ignominioso que produjo cientos de miles de muertos y millones de desplazados, aquella guerra que destrozó todas las estructuras sociales que sostienen un país. En su momento, la invasión fue descrita como un golpe de Estado internacional. EE UU y sus escasos aliados se enfrentaban al mayor rechazo jamás organizado contra una guerra, muy por encima incluso del que en su día se vivió contra la intervención norteamericana en Vietnam. Quizá por ello pusieron todo su poderío propagandístico, político, diplomático y militar encima de la mesa para ganar una batalla que para ellos tenía tanto valor estratégico y económico como simbólico. Torcieron la ley internacional con mentiras de corto recorrido para entrar a sangre y fuego en el país donde, entre el Tigris y el Éufrates, nació nuestra civilización.

No creo estar exagerando. Las armas de destrucción masiva que justificaban la intervención, aquellas armas que nuestro presidente de entonces nos juró que existían, aquellas que iban a ser usadas de forma inminente contra la humanidad, nunca fueron halladas. No existían. Después llegaron los crímenes de guerra, el asesinato de periodistas, protegidos por las leyes internacionales que rigen las guerras, los casos de torturas y los asesinatos indiscriminados de civiles por parte de tropas regulares o de mercenarios. Y después, cuando todo se derrumbó, los conflictos sectarios.

“No queda nada, casi todos mis amigos están muertos o se han ido, no hay nadie al otro lado del teléfono cuando marcas números de Irak, ya nadie deja las puertas de las casas abiertas, los teatros están vacíos, no hay música, solo hay miedo”. Así me hablaba hace unos años Jamal, un amigo bagdadí que ahora reside en Noruega. Jamal pasó por la cárcel de Abu Ghraib, sufrió en sus carnes la tortura y le ha costado mucho esfuerzo enterrar sus lágrimas para seguir adelante, para no derrumbarse cada día al recordar una vida que ya no volverá en un país que ya no existe. No era él un hombre afín al régimen, de hecho no se libró de las cárceles de Sadam, pero desde el primer momento se opuso a la entrada de tropas invasoras en su país. Hoy, en la distancia, Jamal trata de educar a sus dos hijos en el amor a un pueblo que ellos casi no recuerdan.

Han pasado diez años de la guerra de Irak, diez años del NO A LA GUERRA. Una redactora de EL PAÍS me ha pedido que hable de lo que supuso el activismo de aquellos años, qué relevancia tuvo la protesta que tantos ciudadanos llevamos a cabo en España. Pero me da pudor hablar de nosotros, no puedo evitarlo, no puedo dejar de pensar en ellos, que lo perdieron todo y que lo entregaron todo. En ellos, por quienes nos manifestábamos.

Con respecto a nosotros, solo puedo decir que mereció la pena. Una y mil veces mereció la pena. Uno no lucha por la justicia solo porque crea que tiene opciones de triunfar, sino precisamente porque cree que los motivos de la movilización son merecedores de esa lucha. Ganar no es la medida de lo digno, de lo noble, de lo justo. Solo diré que vencimos en dignidad, en dejar claro que el pueblo español, de forma mayoritaria, rechazaba la guerra.

Aquello permitió que hoy podamos mirarnos a la cara sabiendo que hicimos todo lo posible. Aquello tejió redes de solidaridad y de activismo que se mantienen a día de hoy, y supuso la mayor implicación en la vida pública de toda una generación, así como su despertar a la política. Y cuando digo política me refiero a la política, a la actitud que se preocupa por lo colectivo no en sentido partidista.

Aquello permitió a toda una generación aprender algo que hoy es más importante que nunca: la realidad la debemos configurar nosotros y no delegarla en otros cuyos intereses son muy distintos a los nuestros. La historia es lo que nosotros, con nuestra implicación y lucha, hacemos de ella y depende de nosotros cambiar las cosas. Si creen que estoy exagerando, simplemente háganse esta pregunta: ¿Qué pensarías de ti mismo si nunca hubieras gritado NO A LA GUERRA?

Posted at 4:40pm and tagged with: two column, articles,.

midoriblues:

via Lebbeus Woods

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When rummaging though her extensive library, Aleksandra Wagner discovered a pattern book of the old city of Prague. Similar to a dressmaker’s pattern book, it is meant to be cut up, very precisely, and assembled into a three-dimensional paper model. 

Designed and printed in the early 1970s, in Czechoslovakia, it is remarkable in several ways:

First: in that pre-computer era, all measurements of the actual architecture had to be made by hand—a formidable task in itself.

Second: the patterns of the scale buildings had to be calculated and drawn by hand. In engineering school, these patterns are called developments, and must take into account the actual dimensions of walls, roofs, and all other architectural surfaces, and therefore are not simply orthographic projections of plans and elevations of the buildings.

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Posted at 9:20am and tagged with: cities, two column,.

by Geoff Mulgan - 30.01.2013

From Nesta


My colleague Hasan Bakhshi has just published a brilliant analysis of the creative economy in the UK. Written with Alan Freeman and Peter Higgs, this is the first time I have seen a seriously rigorous approach to creative industries and creative roles.

It shows that there is a distinct set of creative industries with a high proportion of creative roles, but also that there are more people with creative occupations outside the creative industries. 

This work has many implications. Clearly creativity matters to some extent in almost any job. But a relatively small number of jobs give it much greater prominence. Hasan, Alan and Peter define creative jobs as ones with “a role within the creative process that brings cognitive skills to bear to bring about differentiation to yield either novel, or significantly enhanced products whose final form is not fully specified in advance”. 

Using existing definitions they show that there are some half a million people in creative roles in the UK’s creative industries - over half of all jobs in those industries, and slightly more in creative roles in other industries, but making up only 2% of total employment. Overall about 4% of the workforce fill creative roles.But applying their new more rigorous definition some roles fall in and others fall out and we’re left with a significantly higher estimate closer to two million, or around 7% of the workforce. The paper looks at different options and definitions but feels broadly right in the orders of magnitude it suggests.  

One of the many implications of this work is to cast light on some of the most influential work in this field, by the American writer Richard Florida, and in particular its claims for a new ‘creative class’. Florida has become a best-selling author, a highly paid speaker and consultant, and has attracted his fair share of critics and enemies.

More than anyone in recent years he has promoted what to me are important truths about how the world works: the growing importance of creative roles, sectors and jobs; the need to shift urban regeneration away from its fixation on physical improvements to a focus on people; and the links between cultures and milieu and economic effects. 

I started my career working on how to grow the creative economy of cities (with a cultural industries strategy for London in the mid-1980s), and with colleagues at the Comedia consultancy lots of good work was done in the 1980s and 1990s on how cities could use creativity to turn around depressed neighbourhoods, create wealth and jobs. Charles Landry was a pioneer, working for a time at the World Bank, and bringing together a great network of cities - from Helsinki to Barcelona - who shared ideas through the 1990s. My former colleague Peter Hall wrote what still stand out as the most penetrating theories and histories of creative cities - notably in his magnum opus Cities in Civilisation, which showed the importance of the feel and milieu of cities; how open they were to outsiders; and the connections between culture and growth. 

We were all initially glad when Richard Florida showed up at the end of the 90s. He had a marketers’ flair for turning ideas into an easily digestible format. The pioneers had to grit their teeth as he adopted their ideas without acknowledgement - but they recognised that this is usually how change happens. Before long, cities were falling over themselves to employ him. In this blog I offer a few reflections on what’s been learned, and why the sort of work Hasan is doing is so important, providing a more rigorous foundation on which to understand creative economy dynamics, and in time the sociological implications of occupations which require a lot of creativity. I’ll do so through a series of questions. 

Do arts drive growth? 

One of the starting points for this field in recent decades was the perhaps surprising claim that spending on the arts could generate economic growth - through a mix of effects, some indirect (such as attracting investment and qualified people) and some more direct (like the formation of creative industry firms). This became a fashionable proposition in the US and UK in the late 1970s and early 1980s, as old industrial cities like Glasgow and Pittsburgh used investment in the arts to transform their identity. Bilbao later became perhaps the best known example of all.  

So what happened? One of the most thorough analyses of this argument, done by Mel Gray, assem­bled data for fif­teen US cities span­ning thirty seven years-from 1969 to 2006-and showed that spend­ing on the arts did appear to drive eco­nomic growth in four cities (albeit with very different time patterns): New York, Atlanta, Dal­las, and Minneapolis-St. Paul, but didn’t have any clear effect in the 11 others. That’s roughly the pattern that has been found elsewhere, and often the arts funding has revived the inner city, but had no effect on economic prospects for the rest of the city. Not a decisive win by any means: but not a bad hit-rate. 

Is there a creative class, and if so who is in it? 

Richard Florida’s most prominent claim, however, went much further. He argued that there is a meaningful category called a creative class, which in the US accounts for as much as 30-40% of the workforce, and that its size drove economic growth: the bigger the creative class in a city, the faster its growth rate. The implication was that cities shouldn’t just build art galleries - they should do all they could to grow and attract this group of people. 

Unfortunately the argument that there is a single creative class has crumbled under investigation. Accountants, consultants, professors, engineers are very different from each other, and not obviously much more creative than, for example, builders or engineers. No generalisations about the creative class - for example about their movement, motivations, cultures - has survived analysis. For example, one important study in Germany - by Krätke - broke Florida’s Cre­ative Class (which includes accoun­tants, real estate, bankers and politi­cians) into five sep­a­rate groups and found that only the “sci­en­tif­i­cally and tech­no­log­i­cally cre­ative” work­ers had an impact on regional GDP. Just as important they are not necessarily the ones who will be the most avid consumers of culture (and if you’re in any doubt I recommend a visit to Silicon Valley which no one would pretend is a hotbed of culture). Many of these creatives want to live in leafy suburbs with good schools, not in the inner city.  

A 2009 study by Michele Hoy­man and Chris Far­icy used Florida’s own data from 1990 to 2004 and came up with equally damning results: in Faricy’s words, ‘the results were pretty strik­ing. The mea­sure­ment of the cre­ative class that Florida uses in his book does not cor­re­late with any known mea­sure of eco­nomic growth and devel­op­ment.’  

Hasan’s definition is far more rigorous - and a lot more persuasive. A significant share of the UK’s workforce is in creative occupations, and this is rising. They do tend to value openness and tolerance (as Peter Hall argued), but the patterns are complex (again, Peter Hall has pioneered some of the work on this, showing for example how 24 hour cities can alienate some of the most important creative occupations). 

The size of the creative class is much smaller than Florida claimed, and it would be unwise to conclude that they are a cause rather than an effect of growth. 

What makes creative people move? 

This takes us to the next crucial issue. Florida argued that creative people like to move to places that are tolerant, open and diverse, and that growth then follows. This felt intuitively true. Unfortunately a four-year, multimil­lion study of thir­teen cities across Europe called “Accom­mo­dat­ing Cre­ative Knowl­edge,” pub­lished in 2011, showed that it wasn’t. Movement was much better explained by where there were jobs or existing personal networks. It’s still sensible to create an environment that’s attractive to mobile creative people. But jobs will do more to attract people than vice versa. 

Is the proportion of the population who are gay important to economic growth? 

The most eye-catching claim of Florida’s was that a large gay population drives economic growth by attracting creative workers. As far as I’m aware no subsequent research has found any corroboration for Florida’s claims. Big cosmopolitan cities do attract gay men and women - because of their tolerance. And economics has long shown that the presence of highly educated people drives economic growth. But that’s an opposite direction of causation to the one claimed by Florida. Human capital explains growth much better than the proportion of the population who are gay. 

I remember one expert saying many years ago that Richard Florida was both original and right, but that where he was right he wasn’t original and where he was original he was wrong. That may be harsh but it’s roughly what a decade or more of research has confirmed. 

He’s done a great job of popularization, and deserves credit for that. He’s rightly persuaded cities that they should take creative sectors and roles seriously. He’s right in saying that there are positive feedback loops - more creative jobs attract more creative people who in turn attract more creative jobs. And his emphasis on measures of human capital that look at what people do not just what qualifications they have is sound. 

Unfortunately, he’s never been strong on policy, strategy, or for that matter detail, and cities and governments should be somewhat wary of his prescriptions. These have placed too much emphasis on lifestyle and city centre culture - and not enough on jobs and opportunities. There has been too much generic prescription and not enough fitted to specific contexts and conditions. 

The good news is that this field is now moving onto strong footings. It’s now possible to map the creative economy in much more fine grained detail, its patterns and clusters, and the networks that link up creative firms. The basic insights that got everyone interested in the first place are sound: the creative economy is continuing to grow in importance, and every city should have a serious strategy for growing its creative economy. But this can now be based more on facts and evidence, and less on broad brush assertion. 

Posted at 1:00pm and tagged with: two column,.

A phenomenon that revived cities can also make them monotonous


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By Inga Soffran

From New Republic

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A funny thing happened in the half century since Jane Jacobs published herclassic treatise excoriating the planning establishment for clear-cutting American cities and replacing eclectic neighborhoods with sterile housing towers: Her vision of urban change won the day. From Brooklyn’s Clinton Hill to Philadelphia’s Society Hill, the neighborhoods that have revived according to Jacobs’ principles became not merely livable, but immensely desirable.

The trouble is, that vision is also giving us a new kind of sterility.

Jacobs, whose The Death and Life of Great American Cities serves as the bible for city-lovers and modern planners, believed that blighted neighborhoods would regenerate organically if left to their own devices. Existing residents would fix up their homes as their economic circumstances improved over time. Drawn by the charms of these diverse, lived-in neighborhoods, newcomers would migrate in gradually to refresh the mix. The rundown districts would, in Jacobs’s lovely phrase, naturally “unslum.”



Today, virtually every older city, save for some unlucky hard cases, can boast at least one turn-around story. U Street in D.C., Lodo in Denver, Highland Park in Pittsburgh. You see the twenty-first century version of Jacobs’s beloved “street ballet” playing out today among the renovated rowhouses in Philadelphia’s Graduate Hospital section, where only a decade or so ago gunshots provided the beat in the background noise:  People leading pets to dog parks, picking up Italian kale at the corner farmers’ market, meeting friends at the local gastropub, admiring the latest yarn-bombed bike rack. The only housing towers going up in these rising neighborhoods have penthouses and lap pools.

But Jacobs’s predictions of multi-generational, multi-race, mixed-income kumbaya hasn’t turned out quite as she hoped. “Unslumming,” she wrote back in 1961, “hinges on the retention of a very considerable part of the slum population within a slum.” Unfortunately, that rarely happens. Today we know the process she described by another name entirely: It’s not unslumming. It’s gentrification, a word that doesn’t sound nearly as quaint or benign. It’s worth noting that the term didn’t come into use until a full three years after the publication of Death and Life, when it was coined by the British sociologist Ruth Glass. Appealing as it sounds in theory, Jacobs’s picture of hard-working locals hammering and spackling their way to an unslummed paradise has proved more romanticized than real.

When I recently asked a half-dozen urban planners to name places revived by indigenous residents alone, they were hard-pressed to come with examples. One reason is that our inner cities are no longer very good at creating, and then retaining, a middle class. Instead, they’ve had to import one. The new, middle-class city-dwellers—in-movers in planning lingo—have excelled at following Jacobs’s prescription to preserve the physical diversity in urban neighborhoods.

The other kinds of diversity? Not so much.

In Philadelphia, where I live, you can stand on certain corners and practically watch the homogenizing tsunami moving across the city, block by block. Just recently I took a stroll into that Graduate Hospital neighborhood to visit Ultimo, a sleek new temple of coffee that everyone is talking about. Up until the 1960s, the area was a thriving African-American center of culture that was home to black icons like the opera singer Marian Anderson and architect Julian Abele, a designer of the Philadelphia Museum of Art. Then its population began to nosedive. It was the usual story: Houses were abandoned as elders died off and their successful children chose other places to live. Vacant lots and drug houses began to appear.

That’s all changed now. Modern townhouses have been slotted into every available space. Older homes sport custom flower boxes and Richard Neutra-designed house numbers. Cattycorner from Ultimo is a new park just for the pre-school set, funded by new residents. And yet, while the slum is gone, the neighborhood has not unslummed. In 1990, Graduate Hospital was 78.5 percent African American; today it is barely 32 percent. Ironically, many new residents were drawn to the neighborhood by its very roughness, along with its diverse community. “What I worry about,” Andrew Dalzell, the program coordinator for the local civic association, told me, “is that it’s going to become all $700,000 homes. What we need is the right mix, but how do we preserve that?”

No one would argue that Graduate Hospital should have continued on its declining course. But it’s hard to talk about urban revival without wading into issues of race and class. The prototypical gentrified neighborhood was once African-American and the product of forced segregation. At the same time, gentrification has been undeniably good for struggling cities like Philadelphia. With one of the country’s highest poverty rates, it desperately needs the taxes Graduate Hospital residents will pay.

Since the ’60s, a lot of the commentary about gentrification has leaned heavily on the plight of the older, minority residents who preceded the in-movers. But gentrification is hardly the worst thing that can happen to a black neighborhood, says Columbia University’s Lance Freeman, whose 2005 book There Goes the ‘Hood examined the phenomenon. African-Americans welcome the quality-of-life improvements that gentrification brings, like plummeting crime rates. Pharmacies and farmers’ markets are a vast improvement over drug corners. And for those who own their homes, rising values promise a tidy nest egg.

Contrary to popular belief, the poor don’t always get forced out, either. Freeman’s research concludes that the existing population is no more likely to be displaced in gentrifying areas than anywhere else. But when they do leave, the people who replace them are likely to come from a different demographic—and not just in racial terms.

One of the most striking things about Graduate Hospital’s stroller-clogged sidewalks is the absence of gray hair. Take away the hip cafes and the neighborhood has the air of a freshly-minted ‘60s subdivision.  Jacobs’s ideal was a bit like a children’s storybook version of a city, populated by archetypes. There was the early shift-worker hurrying to the subway before dawn, the retiree watching from the stop at midday, the kids strolling home from school in the afternoon. That mix is hard to find in our gentrifying areas.

It turns out that the old complaint against gentrification, that it drives out minorities, is far too simplistic. Instead, we should be worrying about a different concern: It hasn’t built the diversity that Jacobsian urbanists envisioned, and that cities need. Diversity, in all its forms, is the urban advantage; it’s what lured a suburb-raised generation to 19th century rowhouses in the first place. After all these years of trying to revive their old neighborhoods, what a shame if it turns out that American cities have birthed a new kind of monotony.

Inga Saffron is the architecture critic for the Philadelphia Inquirer.

Posted at 1:00pm and tagged with: two column, articles, cities,.